





We were delighted to receive this definitive history of the Burton Sisters by a man in the know, Jim Shipley. His email began with the declarative statement, "O.K., I married one." And if you read the below, Mr. Shipley became the Burton Sisters equivalent of a Yoko Ono. It is a riveting read. If anyone has more images, albums, memories, or ephemera, we would LOVE to see/hear them...
The Burton Sisters are from
From this background, the eldest sister, Rae became a singer and a local star in
This took them from
During one of their nightclub appearances they were heard by song writer Bob Merrill who wrote among other things, the show "Funny Girl" and "How Much is that Doggie in the Window". He signed them to a contract along with his partner, Murray Kaufman, known as "
Bob got them a contract with RCA Victor. They had been recorded on Banner Records, the all Yiddish label founded by Yiddish star Seymour Reichseit.
With RCA they recorded "French Can-Can", "Divided Love," "Please Don't Touch" and "Let Me Go Lover". Rose, nee Carol, met the RCA Distributor in
Sister Evelyn continued in show business, touring with the show "Fiorello" and making night club appearances until she married Dr. Manny Fertman and moved to
Russ in San Francisco sent in these beauties... The Burton Sisters, Barry Sisters predecessors... about whom we know little but would love to hear more. The covers are intriguing. Those square jaws. The poodles floating overhead. The tag line, "They're Double Dynamite." If anyone knows anything about this handsome duo, we would LOVE to hear it.
We had a blast last week in San Francisco. More images of the exhibit launch to come... for now, let it be known we have achieved a long held ambition... to have our project promoted on the backside of a public lavatory. The CJM is one of the most creative museums in the country and they have taken our vinyl collection to places we have only dreamed of...
We are honored to announce that an exhibit showcasing the album covers from the book and featuring many of the artists tracked down by the Idelsohn Society for Musical Preservation is opening February 6th at the Contemporary Jewish Museum in good old San Francisco.